The publication, edited and curated by Mary Angela Schroth, recounts the story of the acquisitions of the private collection of Hussain Ali Harba, which began with a painting executed in the 1970s by Fa'iq Hassan, one of the protagonists of Irachi modern art and ends with experimental contemporary artists such as Adel Abidin. Lire la suite
The publication, edited and curated by Mary Angela Schroth, recounts the story of the acquisitions of the private collection of Hussain Ali Harba, which began with a painting executed in the 1970s by Fa'iq Hassan, one of the protagonists of Irachi modern art and ends with experimental contemporary artists such as Adel Abidin.
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